Law Notes Intellectual Property Law Notes
IP law notes fully updated for recent exams at Oxford and Cambridge. These notes cover all the LLB Intellectual Property law cases and so are perfect for anyone doing an LLB in the UK or a great supplement for those doing LLBs abroad, whether that be in Ireland, Hong Kong or Malaysia (University of London).
These were the best IP Law notes the director of Oxbridge Notes (an Oxford law graduate) could find after combing through dozens of LLB samples from outstanding law students with the highes...
The following is a more accessible plain text extract of the PDF sample above, taken from our Intellectual Property Law Notes. Due to the challenges of extracting text from PDFs, it will have odd formatting:
The need for copyright resulted from the invention of the printing press
16th Century: Printing of books was a monopoly (controlled by a guild)
Only the Stationers’ Company was given royal authorization to print books and in turn carried out a censorship function
Its authority ended in 1695 when the Licensing Act 1662 lapsed
Statute of Anne 1710
First copyright Act
Any printer or author could obtain protection by enrolling the book in the register of the Stationers’ Company
Would receive 14 year copyright for printing and reprinting (could be renewed)
Possible significance
Helped secure the interests of printers and booksellers?
Broke the printing monopolies?
Decoupled the roles of censorship and printing
Copyright Act 1814
Extended copyright in literary works to 28 years after publication
If the author was still alive at the end of 28 years, it would last for the remainder of his life
Met with suggestions from Talfourd that the term be life + 60 years
Copyright Amendment Act 1842
Extended the term to life + 7 years or total 42 years from publication (whichever was longer)
Other non-literary works (e.g. plays, art) were protected on subject-specific basis
Engravers’ Act 1735: 14 year copyright
Models and Busts Act 1798: 14 year copyright
Dramatic Literary Property Act 1833: 28 year copyright
Fine Arts Copyright Act 1862:
Copyright Act 1911
Codified the copyright legislation, increased the scope to other works (e.g. sound recordings, architecture and films)
Protection was granted to both published and unpublished works
Abolished common law copyright
Life + 50 years
Abolished all formalities (no need to register)
Copyright Act 1965
Protection extended to sound and TV broadcasts and typographical arrangements
Later amended to include cable transmissions and software
These were classified as “subject matter” instead of “works” (which referred to literary, dramatic, musical and artistic works)
Copyright Designs and Patents Act 1988 (CDPA)
Based on a review by the Whitford Committee
Removed the distinction between subject matter and works
Protection was extended to include distribution, rental rights and even moral rights
Berne Convention on the Protection of Literary and Artistic Works 1886
First multilateral treaty on copyright law
Grown from 10 to 168 contracting countries
Art 1: Signatories “constitute a Union for the protection of the rights of authors in their literary and artistic works”
Applies to authors who are nationals/residents in a Union country or whose works are first published in a Union country
Fundamental Principle 1: National treatment
National copyright legislation in one Union country cannot discriminate against authors from other Union countries
EXCEPTIONS
Droit de suite: right to receive percentage of sale price on original works that are subsequently sold
Duration of protection
Works of applied art and industrial designs and models
Fundamental Principle 2: Minimum rights
Union countries are obliged to offer the minimum rights to authors from all other Union countries (although most also offer these to their nationals)
Include economic rights, moral rights and minimum duration of protection
International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations 1961 (Rome Convention)
Response to technological developments resulting in new types of works
Performers, sound recording producers and broadcasters weren’t protected under the Berne Convention (not literary or artistic works)
The Rome Convention doesn’t affect literary and artistic works
Grown from 41 to 92 contracting States
Fundamental Principle 1: National treatment
Performers: Only if the performance takes place in another Contracting State or is incorporated in a protected phonogram or broadcast
Phonograms: Only if the producer is a national of another Contracting State or the sound was first fixed or published in another Contracting State
Broadcasting: Only if the HQ of the organization is in another Contracting State or the broadcast was transmitted from another Contracting State
Fundamental Principle 2: Minimum Rights
NOTE: Unlike Berne, doesn’t contain moral rights
Performers: Have the possibility of preventing broadcasting/communication to the public without consent, reproduction or fixation of the performance
Phonograms: Right to authorize/prohibit direct or indirect reproduction
Broadcasting: Right to authorize/prohibit rebroadcasting, fixation or reproduction
These rights must last for at least 20 years
Agreement on Trade Related Aspects of Intellectual Property Rights 1994 (TRIPS)
Part of the WTO Agreement (binds all WTO members)
Art 9: All Members must comply with Art 1-21 of the Berne Convention
BUT no obligation to comply with Art 6bis (moral rights)
Art 9(2): Copyright protection is for “expressions” and not “ideas”
Art 10(1): Computer programs are literary works under the Berne Convention
Art 14: Extends Rome Convention protection (performers, broadcasters and sound recording producers) to 50 years
Disputes between WTO Members about TRIPS obligations are subject to WTO’s dispute settlement procedures
Since Berne Convention is incorporated, this is a means of enforcing it
WIPO Copyright Treaty 1996 (WCT)
Agreement entered into by Berne Union countries
Clarifies Berne Convention provisions
Computer programs and databases are literary works
Term of life + 50 years applies to all works (including photographic and artistic)
WIPO Performances and Phonograms Treaty 1996 (WPPT)
Improves on protection under Rome Convention
Creates moral rights and give exclusive rights to performers as well
Term of 50 years
WIPO Beijing Treaty on Audiovisual Performances
Creates minimum protection standards for audiovisual performers (e.g. film actors)
Adopted in 2012 but will only enter into force after 30 parties have rectified it
UK has not...
Buy the full version of these notes or essay plans and more in our Intellectual Property Law Notes.
IP law notes fully updated for recent exams at Oxford and Cambridge. These notes cover all the LLB Intellectual Property law cases and so are perfect for anyone doing an LLB in the UK or a great supplement for those doing LLBs abroad, whether that be in Ireland, Hong Kong or Malaysia (University of London).
These were the best IP Law notes the director of Oxbridge Notes (an Oxford law graduate) could find after combing through dozens of LLB samples from outstanding law students with the highes...
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