Claimant sued Defendant, Warner Bros, for breach of copyright; alleged that a song co-written by Madonna was an infringement of Claimant’s musical copyright, a song called ‘Forever After’.
In Claimant’s claim of particulars, however, Claimant defined the ‘musical work’ infringed as the vocal expression, syncopation and pitch contour around the vocal hook “does it really matter” – rather than the actual song ‘Forever After’ itself.
Performer’s interpretation of music or personal performance characteristics do not constitute a ‘musical work’
Thus things not capable of being ‘musical works’ include the performer’s:
Voice expression
Pitch contour
Syncopation the hook “does it really matter”
Whether something is a ‘work’ matter for objective determination by the court.
In this case, Claimant could not simply select parts of her song most similar to Madonna’s and use them as basis for her copyright work.
I.e. by removing the rest of song (which was obviously not copied), was danger of creating an illusion of copying in the parts that remained.
In addition the three features identified by Claimant were not sufficiently separable from rest of song to constitute musical work in their own right.
IP law notes fully updated for recent exams at Oxford and Cambridge. Th...
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